Kao Kalia Yang
Kao Kalia Yang is a Hmong-American writer. Born in the refugee camps of Thailand to a family that escaped the genocide of the Secret War in Laos, she came to America at the age six. Yang holds degrees from Carleton College and Columbia University. She is the author of The Latehomecomer: A Hmong Family Memoir (Coffee House Press, 2008), winner of the 2009 Minnesota Book Awards in Creative Nonfiction/Memoir and Readers’ Choice, a finalist for the PEN USA Award in Creative Nonfiction and the Asian Literary Award in Nonfiction. The book is a National Endowment for the Arts Big Read title and on the roster of the American Place Theatre’s Literature to Life Program. Her second book, The Song Poet (Metropolitan Books, 2016) won the 2016 Minnesota Book Award in Creative Nonfiction Memoir, was a finalist for the National Book Critics Circle Award, the Chautauqua Prize, a PEN USA Award in Nonfiction and the Dayton’s Literary Peace Prize. The book is the first Hmong story adapted into an opera by the Minnesota Opera to premiere in the spring of 2021. This fall, Yang debuted her first children’s book, A Map Into the World (Carolrhoda Books) and a co-edited collection titled What God is Honored Here?: Writings on Miscarriage and Infant Loss By and For Indigenous Women and Women of Color (University of MN Press). In the spring of 2020, Yang’s second children’s book The Shared Room (University of MN Press) and third work of creative nonfiction, a collective memoire about refugee lives, Somewhere in the Unknown World (Metropolitan Books), will be published. Kao Kalia Yang is also a teacher and a public speaker.
Thaum Hluas Txog Hnub Laus: When the Days of Youth are Gone (Bee Yang, 2014)
This is an album of Hmong song poetry, kwv txhiaj hmoob, composed and sung by Bee Yang, Kao Kalia Yang’s father. The album notes and English translation of one of the songs are by Kao Kalia Yang.
Kwv txhiaj is, in the words of Ralph Ellison on the American Blues, “an impulse to keep the painful details and episodes of a brutal experience alive in one’s aching consciousness, to finger its jagged grain, and to transcend it, not by the consolation of philosophy but by squeezing from it a near-tragic, near-cosmic lyricism. As a form, the blues [and kwv txhiaj] is an autobiographical chronicle of personal catastrophe expressed lyrically.”
NOTE: The duration of the songs do not reflect the actual song length. Please consider ordering the CD for the full songs. Thank you.
*This CD is available for purchase for $15. Click below to order:
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